A Burial at Ornans by Gustave Courbet (France — 1849) — Questions and answers
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What did Gustave Courbet want to show in his painting 'A Burial at Ornans' that made it different from other art at the time?
Choices
- A. Great heroes and mighty gods
- B. Ordinary people in their real lives ✓
- C. Very idealized feelings and fancy stories
- D. Beautiful kings and queens from history
Answer: B. Ordinary people in their real lives
From page 1
What did Gustave's father, Régis, want young Gustave to see when he looked at the land?
Choices
- A. Only the mountains and trees
- B. How fleeting kings and queens are
- C. Some pretty ideal version of it
- D. The truth in it ✓
Answer: D. The truth in it
From page 2
What did Gustave Courbet feel was missing from the art he saw in Parisian salons?
Choices
- A. Lots of bright and cheerful colors
- B. The dirt and sweat of honest labor ✓
- C. Grand palaces and royal families
- D. Very fancy and expensive frames
Answer: B. The dirt and sweat of honest labor
From page 3
What did Courbet admire about Rembrandt's self-portrait?
Choices
- The elevated subjects
- The flattery and pretense
- The truth and honesty in his gaze ✓
- The bright colors
Answer: The truth and honesty in his gaze
From page 4
What did Courbet say he wanted to show in 'The Stone Breakers'?
Choices
- Magical creatures
- The dignity of labor ✓
- Bright and colorful parties
- Fantastical stories
Answer: The dignity of labor
From page 5
Why did critics initially reject 'A Burial at Ornans'?
Choices
- It was too colorful and happy.
- It had unidealized figures, somber colors, and lacked dramatic action. ✓
- It showed too many angels and gods.
- It was painted too small for the important subject.
Answer: It had unidealized figures, somber colors, and lacked dramatic action.
From page 9
According to a museum visitor, what is 'A Burial at Ornans' like?
Choices
- A fantastical dream
- A boring old painting
- So real and honest, like looking into the past ✓
- A bright and cheerful scene
Answer: So real and honest, like looking into the past
From page 10